|
The districts of Antwerp
Central station: Diamant, Meir and surrounding
area: An enchanting entrÉe
Travelling to Antwerp by train is a fantastic
start. It will take you to the very core of the city, to
a magnificent and surprising terminal building, and also
has the advantage of completely avoiding today’s road rebuilding
works. Leaving the platform hall takes you into the old
station hall, more reminiscent of a cathedral than a train
station.
The exit on the northern side of the Hall leads to
the Koningin Astridplein. The combination
of the station originating from the beginning of the 20th
century and the Astrid Park Plaza Hotel are representative
of the contrast that is typical of this city. The first
thing you see on the right side of the station is the old
entrance to the Zoo. Antwerp’s “Chinatown” starts
left of the Plaza Hotel and ends at the Coninckplein.
It’s one street filled with shops, supermarkets and restaurants
all advertising in Chinese and English.
When you leave the
station by the western exit, you’ll find yourself in
the Pelikaanstraat, which is the beginning
of the Jewish district, easily recognisable by dozens of
jewellery shops, even though what’s for sale here is not
exactly representative of Antwerp as the renowned diamond
capital. The diamond grinders and fairs are hidden behind
the façade of the Hoveniersstraat and are heavily guarded
since a bombing in the early 1980s. Clearly visible however
are the orthodox Jews with their black coats and hats.
The
Keyserlei is a wide avenue that starts
and has always been an area of entertainment, though the
old variety theatres and dance halls have now been replaced
by movie theatres (UGC). The Flemish Opera attracts music
lovers to the Frankrijklei,
where you’ll find the Opera, unfortunately overshadowed
by a rather thoughtlessly situated tower. Across the ring
boulevard, called the Leien, you enter the shopping centre
of the city – the Meir and the Leysstraat. Don’t restrict
yourself to window shopping but do look up every once in
a while at the marvellous gables.
Turning left you end up
near the Wapper, at the fully restored
home and workshop of Rubens, just a few minutes from
the Arenberg Theatre. Just ahead is a dominating skyscraper,
build in 1931 and rising up to more than 300ft. It was
Europe’s tallest building at the time of construction.
Locals speak of the Boerentoren (Farmers’ tower)
because of the finance company housed there, which
specialised in loans to farmers. The route ends at the
Grand Bazar where, within the confined of this former
shopping centre, a contemporary shopping gallery and
the Hilton hotel have settled.
Oude Stad: A tourist centre
Real eye-catchers – besides
the many restaurants, pubs and shops – are the monumental
buildings and the authentic squares in this part of the
city. The 400-ft tower of the Onze-Lieve-Vrouwekathedraal is
the beacon of the old city. At the centre of the Grote
Markt, a fountain called the Brabofontein tells
the legend of the brave Roman, Silvius Brabo, who chopped
off the hand of the giant, Druwoen Antigoon, thereby stopping
him from charging a toll on the river Scheldt. Take time
to stroll around the Vlaeykensgang, a 16th-century
alleyway, the Grote Markt with its Guild
Houses, and the City Hall; the Hendrik Conscienceplein with
the baroque Sint Carolus Borremeus church and the city library.
Quartier Latin: Entertainment, antiques and more
The name might remind you of the district in Paris where
the Latin language united the Sorbonne students, but here
in Antwerp Latin originates from the posh French that used
to be the official language here. It was introduced in 1710,
when travelling theatre companies from Italy and France came
here to perform their comedies in an old carpet factory.
Numerous theatres were build, like the 19th-century Fransche
Schouwburg owned by Pierre Bruno Bourla, which carries
his name. Do go there, especially to admire the marvellous
foyer.
The street vendors on the Vogelmarkt make
for some good comedy on Sundays. The Vogelmarkt used to be
the place where chicken, ducks and all kinds of other poultry
were traditionally sold for cooking. On Saturday there is
a large foodstuffs market where exotic fruit and spices are
sold, hence its name “Vreemdelingenmarkt”.
An entirely different
aspect of the Quartier Latin is the numerous fashion boutiques.
Near the Meir, with its wide-ranging chain stores, you’ll
find two small streets (the Schuttershofstraat and
the Huidevetterstraat) with haute-couture oriented boutiques.
If antiques are your thing, go to the Komedieplaats, Leopoldstraat and St-Jorispoort.
Look for the blue and white pennant which represents the
guild for antique dealers. Here you won’t find vintage as
you would in Sint-Andrieskwartier, but much more valuable
merchandise.
De Wilde Zee: Fashion taken by storm
The name of this district
(meaning the Rough Sea) is somewhat misleading as you might
expect a grand panorama that you could take in at a glance.
Truth be told, it’s only a few small shopping streets hiding
behind the impressive outer walls of the Huidevetterstraat,
the Meirbrug and Schoenmarkt. In the Wilde Zee, you do
however run the risk of drowning in all the fashion. And
if this amount of fashion hasn’t completely swept your attempts
of self-restraint, wait until you see the large displays
of chocolates in all shapes and sizes. Besides the big names
like Neuhaus, Godiva and Leonidas, there are also many
traditional chocolate makers like Burie.
’t Zuid: The stylish way of living
Everything in this
district is relatively new. Houses are hardly much more than
a century old, and the nightlife came to life only about
two decades ago. An interesting characteristic: you’ll find
more locals than tourists at tables in pubs, bistros and
restaurants.
The stylish restaurants are generally situated
in two avenues paralles to the Schelde: the Vlaamse and
Waalse Kaai. The trendy image suffers
quite a lot with the arrival of the Sinksenfoor funfair
which takes over the square, from 30 May to 4 July –
six weeks after Whitsun.
Looking for mass commercial shopping streets in ’t
Zuid would be a vain task. Shopping is a very selective activity
here. The emphasis is clearly on interior design.
This is also the area of the big museums: You can go the
Koninklijke Museum voor Schone Kunsten (Royal
Museum for Fine Arts), to the Museum for Fotografie which
shows every development of the camera, from its invention
until the present day and has a collection of photographic
masterworks, or the MUKHA, the Museum of
Contemporary Art.
Sint Andries: Browsing
through bric-a-brac
Those who enjoy roaming around junk shops
will certainly appreciate this area. In the last few years,
the Kloosterstraat has become dominated by vintage shops.
Mainly just old junk, but if you look a bit further you
might discover a valuable little piece just waiting to be
discovered. If you’re interested in antiques, the Kloosterstraat
is an absolute must. With tolerably good weather rummage
sales are held every Sunday on the St
Jansvliet, the
square that links Sint Andries and the old city.
The Parochie
of Miserie (parish of Misery), is on the city side of the
Kloosterstraat. It used to be the home to sailors and harbour
workmen. Back then, many lived cramped together in slums,
which are gone or have been renovated beyond recognition.
The
Zurenborg district
Zurenborg is the name of a district,
consisting of a few streets in the Antwerp suburb of Berchem.
The district is situated near the railway station of Berchem.
What you can see here is absolutely unique in Belgium.
An incredible mixture of architectural styles unfolds itself
before the eyes of the visitor. Nowhere else can such panoply
of neo-styles be admired. The district is not really very
large, so the best way to visit it is by taking a stroll
through the different streets. In Belgium the district
is also sometimes referred to as the “Cogels-Osylei”,
which is the name of its main street.
The multitude of architectural styles and decorations is
breathtaking. One can find a house in neo-gothic style
standing right next to a house in Art Nouveau style (aka
Jugendstil). All the houses were built at the time when
all over Belgium the neo-styles were very popular (neo-classicist,
neo-gothic, neo-renaissance, etc.…). It somehow showed
that Belgium (as a relatively new state) had rediscovered
its ancient glory of the 15th and 16th centuries when it
was one of the most important European commercial centres.
One style, however, was new: the Art Nouveau style. This
style was developed out of the gothic and pre-Raphaelite
styles. In Belgium it was perfected by the architect Victor
Horta.
|